Thank God, it’s you, baby, this time instead of me: four poems by Richard Brautigan

It’s Raining in Love

I don’t know what it is,
but I distrust myself
when I start to like a girl
a lot.

It makes me nervous.
I don’t say the right things
or perhaps I start
to examine,
evaluate,
compute
what I am saying.

If I say, “Do you think it’s going to rain?”
and she says, “I don’t know,”
I start thinking: Does she really like me?

In other words
I get a little creepy.

A friend of mine once said,
“It’s twenty times better to be friends
with someone
than it is to be in love with them.”

I think he’s right and besides,
it’s raining somewhere, programming flowers
and keeping snails happy.
That’s all taken care of.

But,

if a girl likes me a lot
and starts getting real nervous
and suddenly begins asking me funny questions
and looks sad if I give the wrong answers
and she says things like,
“Do you think it’s going to rain?”
and I say, “It beats me,”
and she says, “Oh,”
and looks a little sad
at the clear blue California sky,
I think: Thank God, it’s you, baby, this time
instead of me.


Gee, You’re so Beautiful That it’s Starting to Rain 

Oh, Marcia,
I want your long blonde beauty
to be taught in high school,
so kids will learn that God
lives like music in the skin
and sounds like a sunshine harpsicord.
I want high school report cards
to look like this:


Love Poem

It’s so nice
to wake up in the morning
all alone
and not have to tell somebody
you love them
when you don’t love them
any more.


The Moon Versus Us Ever Sleeping Together Again 

I sit here, an arch-villain of romance,
thinking about you. Gee, I’m sorry
I made you unhappy, but there was nothing
I could do about it because I have to be free.
Perhaps everything would have been different
if you had stayed at the table or asked me
to go out with you to look at the moon,
instead of getting up and leaving me alone with
her.

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Thank God, it’s you, baby, this time instead of me: four poems by Richard Brautigan

My wife has scars like spread raindrops on knees and ankles: four poems by Michael Ondaatje

Speaking to You (From Rock Bottom)

Speaking to you
this hour
these days when
I have lost the feather of poetry
and the rains
of separation
surround us tock
tock like Go tablets

Everyone has learned
to move carefully

‘Dancing’ ‘laughing’ ‘bad taste’
is a memory
a tableau behind trees of law

In the midst of love for you
my wife’s suffering
anger in every direction
and the children wise
as tough shrubs
but they are not tough
–so I fear
how anything can grow from this

all the wise blood
poured from little cuts
down into the sink

this hour it is not
your body I want
but your quiet company.


Last Ink

In certain countries aromas pierce the heart and one dies
half waking in the night as an owl and a murderer’s cart go by

the way someone in your life will talk out love and grief
then leave your company laughing.

In certain languages the calligraphy celebrates
where you met the plum blossom and moon by chance

—the dusk light, the cloud pattern,
recorded always in your heart

and the rest of the world—chaos,
circling your winter boat.

Night of the Plum and Moon.

Years later you shared it
on a scroll or nudged
the ink onto stone
to hold the vista of a life.

A condensary of time in the mountains
—your rain-swollen gate, a summer
scarce with human meeting.
Just bells from another village.

The memory of a woman walking down stairs.

Life on an ancient leaf
or a crowded 5th-century seal

this mirror-world of art
—lying on it as if a bed.

When you first saw her,
the night of moon and plum,
you could speak of this to no one.
You cut your desire
against a river stone.
You caught yourself
in a cicada-wing rubbing,
lightly inked.
The indelible darker self.

A seal, the Masters said,
must contain bowing and leaping,
‘and that which hides in waters.’

Yellow, drunk with ink,
the scroll unrolls to the west
a river journey, each story
an owl in the dark, its child-howl

unreachable now
—that father and daughter,
that lover walking naked down blue stairs
each step jarring the humming from her mouth.

I want to die on your chest but not yet,
she wrote, sometime in the 13 th century
of our love

before the yellow age of paper

before her story became a song,
lost in imprecise reproductions

until caught in jade,

whose spectrum could hold the black greens
the chalk-blue of her eyes in daylight.

Our altering love, our moonless faith.

Last ink in the pen.

My body on this hard bed.

The moment in the heart
where I roam restless, searching
for the thin border of the fence
to break through or leap.

Leaping and bowing.


The Time Around Scars

A girl whom I’ve not spoken to
or shared coffee with for several years
writes of an old scar.
On her wrist it sleeps, smooth and white,
the size of a leech.
I gave it to her
brandishing a new Italian penknife.
Look, I said turning,
and blood spat onto her shirt.

My wife has scars like spread raindrops
on knees and ankles,
she talks of broken greenhouse panes
and yet, apart from imagining red feet,
(a nymph out of Chagall)
I bring little to that scene.
We remember the time around scars,
they freeze irrelevant emotions
and divide us from present friends.
I remember this girl’s face,
the widening rise of surprise.

And would she
moving with lover or husband
conceal or flaunt it,
or keep it at her wrist
a mysterious watch.
And this scar I then remember
is a medallion of no emotion.

I would meet you now
and I would wish this scar
to have been given with
all the love
that never occurred between us.


Nine Sentiments (IX)

An old book on the poisons
of madness, a map
of forest monasteries,
a chronicle brought across
the sea in Sanskrit slokas.
I hold all these
but you have become
a ghost for me.

I hold only your shadow
since those days I drove
your nature away.

A falcon who became a coward.

I hold you the way astronomers
draw constellations for each other
in the markets of wisdom

placing shells
on a dark blanket
saying ‘these
are the heavens’

calculating the movement
of the great stars.

My wife has scars like spread raindrops on knees and ankles: four poems by Michael Ondaatje